![]() ![]() It should be noted, too, that this type of framing is aided by Sigel’s use of wide lenses, a decision made in conjunction with director Nicolas Winding Refn.Īs he said in an ASC interview, “Nicolas really loves wide lenses, like the 18mm and 21 mm… You tend to want to set up multiple cameras and have the telephoto lens pick off close-ups… but we limited that approach as much as we could. The neo-noir masterpiece Drive, starring Gosling and directed by Nicolas Winding Refn, was released on. Shannon has a higher status than Driver he is the one who provides him with jobs and money. In 2011, one movie made us rethink everything we knew about cars, cinema, and Ryan Gosling. A man (billed as The Driver), works as a mechanic, a stunt double, a stunt driver, and a criminal-for-hire getaway driver in Los Angeles, California. ![]() Since Western viewers are accustomed to taking in information from left to right, Driver is established as the more important character in this scene.īut Shannon’s placement above Driver indicates his relationship with him. This, along with his closer proximity to the camera, draws our eyes to Driver first. Here, we have Driver in the bottom left quadrant and Shannon in the top right. The Driver A mechanic and part-time stunt driver who moonlights as a getaway driver with a set of very specific rules. ![]()
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